Elan JournoThe movie adaptation of The Fountainhead was first released in theaters in July 1949, and it featured two of the era’s biggest stars, Gary Cooper and Patricia Neal. But the making of that film was itself a dramatic story.
It’s a story of “how Ayn Rand sold the screen rights to The Fountainhead — without selling out.” That’s how Shoshana Milgram, a scholar who has studied Rand’s life and writings in depth, has described it. To learn about the making-of story, I turned to Dr. Milgram, a professor at Virginia Tech, whose knowledge of Rand’s intellectual and literary development is truly encyclopedic.
During our conversation, Dr. Milgram shared a wealth of fascinating details about Rand’s role in adapting her novel to the screen. Warner Bros. Studios hired Rand to write the script. Although the scope of a two-hour movie required a considerable delimitation of the story, Rand was intent on ensuring that the film would convey some of the distinctive thematic aspects of the book.
During filming and then in editing, there were further challenges that Rand had to navigate gingerly. For example, there was the attempt to substantially alter the meaning of a climactic courtroom speech that Rand viewed as critical to the theme. (Rand wrote about that conflict in a previously unpublished letter, now available on ARI’s site.)Finally, we also talked about Rand’s delimited purpose in selling the film rights and her evaluation of the finished product. Near the end, Dr. Milgram shares her own thoughts about the film and a 2017 Dutch-language stage adaptation of The Fountainhead by the director Ivo van Hove.
The interview assumes some knowledge of the basic plot of The Fountainhead novel — though we tried to fill in some context and avoid plot spoilers for those who’ve not yet read the book.
Remember DVDs? Along with the feature film, these sometimes included a short behind-the-scenes documentary on the making of the film. My interview with Dr. Milgram offers something like that kind of background for The Fountainhead adaptation.
Audio only:
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Tara Smith
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